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4worldlovers: The American College of the Mediterranean is proud to offer a two-year Master of Fine Arts (MFA) in Painting. The 60-credit program is conducted in English and accepts artists of diverse interests and backgrounds. The program combines daily studio work in Aix-en-Provence, seminars, museum studies, field studies throughout Europe, and professional internship opportunities. The first-year MFA program is modeled after the full-year Marchutz Core Art Program.

The mission of the MFA program at ACM is to link contemporary artist concerns to a study of the visible world and to give students a cross-cultural viewpoint through extended study in the museums and galleries of Europe and the Mediterranean Basin.

Anthony Marschutz shares with ACM MFA master students the story of his father, Léo Marchutz, a painter and lithographer (1903-1976). He talked about the life, art, and studio of his father as our MFA students take their Drawing and Painting classes in Léo Marchutz’s Studio; l'Atelier Marchutz.

Emphasizes the combination of studio art process with liberal arts learning

A comparative discipline of observation, perceptual analysis, and extensive museum and art historical study

Accentuates cross-cultural viewpoints through extended study in the cities, museums, and galleries of Europe and the Mediterranean Basin

Students form a coherent critical platform and an arts management process by which to present their work

ACM's School of Art offers a two-year MFA degree program with a concentration in Painting. The curriculum combines studio practice with liberal arts investigation, critical analysis, museum study, and field study. The 60-credit program, conducted in English, in Aix-en-Provence, France, culminates in a Thesis Project/MFA Show which includes a public presentation of an original body of artwork.

Students work on campus in Aix-en-Provence, France, maintaining a daily open studio practice in their chosen discipline, while concurrently developing independent critical, aesthetic, and art historical research with core faculty advisors. Students are expected to participate in weekly seminars, multi-city field studies, critiques, museum studies, and liberal arts inquiry.

Throughout the program MFA candidates' work is evaluated in peer and faculty critiques as well as by visiting artists. Final evaluation and approval are conducted by the MFA Faculty Committee.

ACM faculty is comprised of experts in their fields. Both academics and professionals in their field, ACM faculty provide the MFA the academic depth and the real-life experience necessary for a well-rounded Fine Arts education.

Each MFA student is assigned one studio faculty member and one liberal arts faculty member during the second year of the program to oversee and guide the student. Advisor meetings are scheduled several times each semester to present studio work, critical studies portfolio, and liberal arts portfolio.

Midterm and final grades from professors of content courses will also be reviewed. Continuation in the program is contingent on a positive review from both faculty and advisors at the end of each semester.

MFA students have some flexibility in how they structure their schedules across the two years of study. The required credits are as follows:

All first-year MFA students are required to take The Masters Forum (ART 515) in their first semester. This graduate course aims to inspire the students through exposure. Exposure to other points of view, different types of art practice, and a more diverse range of mediums and expression, as a means of supplementing the experience of intense oil painting practice already at the core of the first-year curriculum. This course is the site where art history and fine arts meet, and it is built around discussion and practice/workshops led by several local artists.

One of the most important aspects of the program is the accentuation of the two disciplines of drawing and painting and their inter-relationship. Although students' concentration is on painting, it is imperative that they experiment with both. Drawing I and II are prerequisites for all MFA thesis work. The MFA curriculum is based upon the principle that drawing is the basis of all good painting. In the first year, all students are required to enroll in Drawing I and II.

The painting contact courses take place at the Atelier Marchutz, a light-filled space conceived by French architect Fernand Pouillon. Students work together in this common space with painting instructors and are also expected to work independently during the week. Thirteen credits of intensive painting (6 credits during the first year and 7 credits during the second year) are required.